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There is still no better place to learn music than the PUGET SOUND GUITAR WORKSHOP |
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There is still no better place to learn music than the PUGET SOUND GUITAR WORKSHOP |
| PSGW 2002 TEACHERS Session 1 | ||
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| Cary Black | Beginning Upright Bass (1-2) | Swing Bass (3) |
| Brian Butler | Beginning Blues (2-3) | Intermediate Blues (3-4) |
| Connie Doolan | Beginning Voice Technique (1-2) | Intermediate Voice Technique (2-4) |
| Marie Eaton | Songwriter's Tool Box (1-2) | Fine Tuning Your Tunes (2-4) |
| Jack Hansen | Beatles (1-3) | Swing Comping (3-4) |
| Wayne Henderson | Beginning Finger-Flatpicking (3) | Advanced Finger-Flatpicking (4) |
| Irene Herrmann | Beginning Mandolin (1-2) | Mandolin Orchestra (2-4) |
| Kent Hillman | Beginning with Fingerpicking (2) | Fingerstyle Accompaniment (3) |
| Ed Johnson | Multi-Part Vocal Harmony (2-4) | The Secret Life Of Chords (2-4) |
| Lorraine Lee-Hammond | Lap Harps and Hog Fiddles - Beginning Fretted Dulcimer (1-2) | Can You Really Do That On A Dulcimer? (2-4) |
| Eddie Pennington | Thumbpicking (3) | Thumbpicking (4) |
| Tom Rawson | Instigator | |
| Crystal Reeves | Beginning Guitar (1) | Introduction to the Flat Pick (2) |
| Rick Ruskin | Stepping Stones (3) | Takin' It To The Street (4) |
| Jennifer Scott | Swing Vocals (2-4) | Stagecraft (3-4) |
| Pam Vellutini | Afro-Cuban Drumming (1-2) | Afro-Cuban Drumming (2-3) |
| Joe Vinikow | Swing For Folkies (3) | Cocktail Guitar (3-4) |
| Helen White | Beginning Fiddle (1-2) | Intermediate Fiddle (2-3) |
| Radim Zenkl | Camp instrumentalist | |
| PSGW 2002 TEACHERS Session 2 | ||
|---|---|---|
| Velzoe Brown | Instigator | |
| Barry Crannell | Begining Fingerpicking (2) | Accompaniment for Singers/Songwriters (2-3) |
| Paul Elliot | Camp instrumentalist | |
| Hilary Field | Music Theory (2-3) | Classical Technique (2-4) |
| George Kahumoku | Beginning Slack Key (2-3) | Intermediate Slack Key (3-4) |
| John Knowles | Beginning Guitar (1) | Nashville Fingerstyle (4) |
| Tony Marcus | Swing Rhythm (3) | Chord Melody (3-4) |
| Kristina Olsen | Tone Production (3-4) | Slide Guitar (2-3) |
| Steve Palazzo | Dissecting the Good Doctor (2) | Plays Well with Others (3) |
| Cliff Perry | Singing Old Time (1-3) | Simply Picking Melody (3) |
| Ron Peters | Beyond I-IV-V (2-4) | Advanced Swing Guitar (3) |
| Faith Petric | Instigator | |
| Greg Scott | Songwriting Workshop (1-4) | Songs I Wish I'd Written (1-4) |
| Laura Smith | Hula (?) | Campfire Favorites (1-3) |
| Susan Streitwieser | Beginning Voice (1-2) | Vocal Troubleshooting (2-3) |
| Alice Stuart | Blues Guitar (2-3) | Blues Guitar (3-4) |
| Linda Waterfall | Songwriting and Music Theory (2-4) | Creating a Vocal Arrangement (2-4) |
| Sean Williams | Indonesian Gamelan (1-3) | Indonesian Gamelan (2-4) |
| Rene Worst | Intro to String Bass (1-2) | Bass (2-4) |
| PSGW 2002 TEACHERS Session 3 | ||
|---|---|---|
| William Coulter | Begining Fingerstyle (2) | Celtic Guitar (2-4) |
| Nova Devonie | Instigator | |
| Kathleen Fallon | Sing Me A Swing Song (2-3) | Dobro Intro (1-2) |
| Cathy Fink | Everyone Can Sing (1-2) | Songwriting (1-3) |
| Chris Grampp | Intro to Swing (3) | Advanced soloing: swing and beyond (4) |
| Clive Gregson | A Song A Day (1-4) | Song Accompaniment for Guitarists (2-3) |
| Piper Heisig | Unobtrusive Percussion (1-3) | Vocal Performance (1-3) |
| Paul Kotapish | Flatpicked Tunes (2-4) | Celtic Mandolin (2-4) |
| Peter Langston | Learn to Play the Guitar in 3 Minutes! (1) | Party Guitar (1-3) |
| Marcy Marxer | Beginning Flatpicking (2) | Flatpick Accompaniment (3) |
| James Mason | Camp instrumentalist | |
| Debby McClatchy | Roots of Old-Time Music (1-4) | Banjo Accompaniment (2-4) |
| Carol McComb | Old-time, Bluegrass, and Country Repertoire (2-4) | Beyond I-IV-V (2-4) |
| Edson Oliveira | Brazilian Guitar I (3) | Brazilian Guitar II (4) |
| Stacy Phillips | Klezmer Band (3-4) | Lap Slide Guitar (3-4) |
| Ray Piper | Brasilian Guitar (3-4) | Swing Guitar Comping (4) |
| Mark Simos | Tunesmithery (2-4) | Guitar Accompaniment of Celtic Music (2-3) |
| Paul Taylor | The Lagerphone and the Australian Folk Tradition (1-3) | Didjeridoo/Didgeridoo/Didjeridu/Yidaki (1-3) |
| Sue Thompson | Higher Secrets of Harmony Singing (3-4) | Rhythm Slaves Unite! (3) |
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THE SMALL PRINT |
Advance registration is required (no guests or visitors, please). Registrations will be processed (and receipts sent) as they are received.
Total cost (tuition + room + board) for a session is $675 (in U.S. funds). A deposit of $200 (U.S. funds) reserves a space. The balance is due on arrival at camp.
Refunds of $150 will be given for all cancellations prior to July 4 and of $75 for cancellations between July 4 and two days before your session starts. No refunds will be given for cancellations or "no shows" after that time. Of course, if we have to refuse your registration (e.g. due to lack of space), your entire deposit will be returned.
Scholarships are available for up to half of the cost for anyone who couldn't afford camp without a scholarship. A completed preregistration with a full deposit is required to receive a scholarship application form (check the appropriate box on your registration). Your entire deposit will be returned and your registration voided if we can't offer you a scholarship. Completed scholarship application forms must be received by May 1.
Puget Sound Guitar Workshop is a camp for adults of all ages, but please consult with us by phone prior to registering any adults under age 18.
Our scholarship program is supported by donation. We wish to thank the many individuals whose contributions have helped make scholarships possible. If you would like to become one of the people we thank, simply include some extra funds in your check and mention it on the registration form (and thanks).
All registration requests must be accompanied by a deposit ($200 per person per session) payable to "Puget Sound Guitar Workshop." Sorry, we cannot accept e-mail or fax registrations.
| REGISTRATION FORM |
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For further information:
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© 2002 Peter Langston & PSGW
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